{"id":4610,"date":"2012-10-22T13:38:14","date_gmt":"2012-10-22T18:38:14","guid":{"rendered":"http:\/\/www.christophergronlund.com\/blog\/tjw\/?p=4610"},"modified":"2012-10-22T13:38:14","modified_gmt":"2012-10-22T18:38:14","slug":"what-is-genre","status":"publish","type":"post","link":"http:\/\/www.christophergronlund.com\/blog\/tjw\/2012\/10\/22\/what-is-genre\/","title":{"rendered":"What is Genre"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignright\" title=\"Swirling trees.\" src=\"http:\/\/www.christophergronlund.com\/blog\/tjw\/images\/swirl2.jpg\" alt=\"\" width=\"250\" height=\"354\" \/>Genre&#8217;s a funny thing. There are definitely genre books out there. If I pick up anything from <a title=\"Harlequin website.\" href=\"http:\/\/www.harlequin.com\/\">Harlequin<\/a>, I know what I&#8217;m getting (although, they <em>do<\/em> publish more than just romance). If I swing by <a title=\"Subterranean Press' website.\" href=\"http:\/\/subterraneanpress.com\/\">Subterranean Press<\/a>, it&#8217;s science fiction, fantasy, or horror.<\/p>\n<p>But even there, in those genres, things are not always so easily defined.<\/p>\n<p>Mention &#8220;Stephen King,&#8221; and most people say, &#8220;Horror writer.&#8221; But as a kid, picking up King&#8217;s <em>Different Seasons<\/em> didn&#8217;t seem much different than picking up John Irving&#8217;s <em>The World According to Garp<\/em>. Garp&#8217;s birth and the birth in &#8220;The Breathing Method&#8221; are both rather odd things. The similarities weren&#8217;t lost on me, even in junior high school.<\/p>\n<h2><strong>Kurt Vonnegut<\/strong><\/h2>\n<p>I always found it interesting how some people &#8212; including professors I had in college &#8212; claimed to dislike genre fiction&#8230;yet praised Kurt Vonnegut. Let&#8217;s see&#8230;<em>Slaughterhouse Five<\/em>: time travel, aliens&#8230;stuff like that. <em>Cat&#8217;s Cradle<\/em> gives us ice-nine, a substance that turns water at room temperature into ice &#8212; something that can potentially destroy the planet.<\/p>\n<p>When I brought up these points, the defense was always, &#8220;Well, there are stories behind it. Vonnegut&#8217;s books deal with something <em>more <\/em>than just genre.&#8221;<\/p>\n<p>Thing is, so do many <em>genre <\/em>stories if you read the right stuff.<\/p>\n<h2><strong>Blurred Lines<\/strong><\/h2>\n<p>The day Anne Ursu writes another adult novel is the day you might hear actually hear me shout &#8220;Yee Haw!&#8221; all the way down here in Texas.<\/p>\n<p>The premise for Ursu&#8217;s first novel, <em>Spilling Clarence<\/em>,\u00a0 could have been devised by Vonnegut: a mishap with a break room microwave ends up causing a chain reaction that leads to an accident at a pharmaceutical company that leaves a town covered in the haze of a memory drug. Total recall of all inhabitants&#8217; memories &#8212; even those best forgotten.<\/p>\n<p>In her second novel, <em>The Disapparation of James<\/em>, the protagonists&#8217; son disappears for real during a magic show performed by a clown. Seriously, that&#8217;s it &#8212; he just&#8230;POOF! Gone! Some have drawn parallels with another [genre] book dealing with the loss of a child, <em>The Lovely Bones<\/em>. (They really are totally different books.)<\/p>\n<h2><strong>More Examples<\/strong><\/h2>\n<p>I really like Jeffrey Ford. His novel, <em>The Portrait of Mrs. Charbuque<\/em>, is one of my favorite books &#8212; ever! Ford often writes straight-up genre fiction, but many of his novels are as contemporary as anything.<\/p>\n<p>Don&#8217;t think the lines of genre fiction have been blurred? <a title=\"Mainstream Genre Crossover Novels - 2011.\" href=\"http:\/\/www.tor.com\/blogs\/2012\/01\/genre-in-the-mainstream-great-crossover-books-of-2011\">Check out this list<\/a> of genre novels that crossed over to the mainstream. Think of stories like <em>The Time Traveler&#8217;s Wife<\/em>; check out <a title=\"Tor's Genre in the Mainstream.\" href=\"http:\/\/www.tor.com\/features\/series\/genre-in-the-mainstream\">this entire category<\/a> of genre novels that crossed over to the mainstream on Tor&#8217;s website. Oh, and I&#8217;m sure more than a couple people reading this have read a Harry Potter novel.<\/p>\n<p>Genre fiction is everywhere these days.<\/p>\n<h2><strong>So, Then&#8230;What Is Genre?<\/strong><\/h2>\n<p>Okay, obviously, some books <em>are <\/em>straight-up genre. If I pick up a <a title=\"Scott Sigler's website.\" href=\"http:\/\/www.scottsigler.com\">Scott Sigler<\/a> book, I know I&#8217;m getting over-the-top violence, monsters, and a world on the brink of destruction (or aliens playing football).<\/p>\n<p>And there&#8217;s nothing at all wrong with that.<\/p>\n<p>But more and more, it seems, genre is not so easy to define. Sure, George R. R. Martin writes fantasy&#8230;but there are a myriad books that are not so easy to define. Whether it&#8217;s elements of genre creeping into mainstream and literary books (most novels by Jonathan Lethem come to mind), or full-blown genre novels being read by more than a little subculture, it&#8217;s becoming harder to pin down what &#8220;genre&#8221; is these days.<\/p>\n<p>And that&#8217;s because what matters more than anything are good stories. I may get slammed for saying this, but we&#8217;re really long done with suburban contemporary fiction. If Franzen is the best we&#8217;ve got, let&#8217;s just call it over.<\/p>\n<h2><strong>Tired of the Same Old<\/strong><\/h2>\n<p>While everything&#8217;s been done before in some manner, it seems amplified when it&#8217;s John Irving writing <em>another <\/em>book about a boy who goes to a boarding school, discovers his sexuality at an early age, and struggles through a messed up adult life until he figures it out or dies. Read this blog enough and you know I <em>love <\/em>John Irving&#8217;s writing, but&#8230;certain things he does gets so old. I have no desire to pick up his latest book.<\/p>\n<p>Maybe <em>because <\/em>we&#8217;ve had decades of the same thing in contemporary fiction, we&#8217;re seeing the lines of genre blurred &#8212; and with it, genre writers striving for that little bit of &#8220;something more&#8221; that literary fiction and contemporary fiction shoot for. And vice versa: literary writers are beginning to experiment with one of the most powerful things that genre fiction has been doing forever: asking, &#8220;What if&#8230;?&#8221; on a stranger scale.<\/p>\n<h2><strong>Good Books<br \/>\n<\/strong><\/h2>\n<p>Genre&#8217;s a nice thing to consider when shelving books in a bookstore: &#8220;This kind of person likes a certain kind of story, so&#8230;we will create a romance section.&#8221; But I can think of so many books that aren&#8217;t romance with strong elements of romance in them. (The <a title=\"A peek at the first season of Promise.\" href=\"http:\/\/www.christophergronlund.com\/promisepeek.pdf\">last book I finished<\/a> has a romance line and a mystery line going through it, even though it&#8217;s not a romance or straight-up mystery novel.) There are piles of mainstream novels with genre elements in them, just as there are piles of genre novels with mainstream elements in them.<\/p>\n<p>What matters to me when I pull a book off a shelf or load it to my e-reader isn&#8217;t how it&#8217;s grouped by a retailer, but rather, whether it&#8217;s a good book or not.<\/p>\n<p>Sometimes that good book is literary; other times it&#8217;s mainstream or straight-up genre. More and more, however, the books that hook me are harder to define &#8212; other than, &#8220;It&#8217;s just a good book!&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Genre&#8217;s a funny thing. There are definitely genre books out there. If I pick up anything from Harlequin, I know what I&#8217;m getting (although, they do publish more than just romance). If I swing by Subterranean Press, it&#8217;s science fiction, fantasy, or horror. But even there, in those genres, things are not always so easily [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":""},"categories":[21],"tags":[],"_links":{"self":[{"href":"http:\/\/www.christophergronlund.com\/blog\/tjw\/wp-json\/wp\/v2\/posts\/4610"}],"collection":[{"href":"http:\/\/www.christophergronlund.com\/blog\/tjw\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.christophergronlund.com\/blog\/tjw\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.christophergronlund.com\/blog\/tjw\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.christophergronlund.com\/blog\/tjw\/wp-json\/wp\/v2\/comments?post=4610"}],"version-history":[{"count":15,"href":"http:\/\/www.christophergronlund.com\/blog\/tjw\/wp-json\/wp\/v2\/posts\/4610\/revisions"}],"predecessor-version":[{"id":4713,"href":"http:\/\/www.christophergronlund.com\/blog\/tjw\/wp-json\/wp\/v2\/posts\/4610\/revisions\/4713"}],"wp:attachment":[{"href":"http:\/\/www.christophergronlund.com\/blog\/tjw\/wp-json\/wp\/v2\/media?parent=4610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.christophergronlund.com\/blog\/tjw\/wp-json\/wp\/v2\/categories?post=4610"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.christophergronlund.com\/blog\/tjw\/wp-json\/wp\/v2\/tags?post=4610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}